‘ŪWILA

In ‘Ōlelo Hawai‘i, “manaola” means “life force.” The designer to represent the ‘ūwila, or lightning bolt, as a physical depiction of this life force, embodying the strength and raw strength of nature. When printed in repetition, the ‘Ūwila print serves as a Hawaiian take on the houndstooth motif.

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Manaola developed the ‘Ūwila architecture as a price of protection for the wearer. In Hawaiian folklore, the goddess Pele possessed a magic pāʻū ‘ūwila (lightning skirt), which could shield the wearer from dark or an adverse forces, and leant the dress to her sister, Hi‘iakaikapoliopele, so that she could journey safely. The designer plan this print to carry out the wearer with symbolic protection and the toughness to confront life’s challenges.


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‘ŪWILA

In ‘Ōlelo Hawai‘i, “manaola” method “life force.” The designer represents the ‘ūwila, or lightning bolt, together a physical depiction of this life force, embodying the strength and also raw power of nature. When printed in repetition, the ‘Ūwila print serves together a Hawaiian take on the houndstooth motif.

Manaola developed the ‘Ūwila architecture as a price of protection for the wearer. In Hawaiian folklore, the goddess Pele own a magic pāʻū ‘ūwila (lightning skirt), which could shield the wearer indigenous dark or an unfavorable forces, and also leant the skirt to she sister, Hi‘iakaikapoliopele, so that she could journey safely. The designer to plan this publish to carry out the wearer v symbolic protection and the toughness to face life’s challenges.


NIHO KŪ

Inspired by the harbor flats from Pāhonu come Māhukona ~ above the Kohala coast of Hawai‘i Island, the Niho Kū sample is comprised of a set of prints based on the jagged lava rock formations the jut from the sea. As a child, Manaola would certainly paddle along this coastline, and the rugged landscape was a acquainted site for the arising artist. The receding tide display screens tooth-shaped rocks, eroded with time by the strength of the ocean, remind Manaola the the sharp this of the manō (shark).

The first print in the sample is called Niho ‘Ai Kalakala, and also represents the consistent sharpening that a shark’s teeth throughout the food of its long life. The second print, Nihomanō, describes the shark-infested waters the Pelekane Bay. The final print, Niho Kū, or “standing shark tooth,” is based on a traditional design found in Hawaiian artwork. Though it may appear to be a basic triangular formation, its significance is tied to a deeper definition within the sacred geometry of timeless Hawaiian thought.


NIHO KŪ

Inspired by the harbor flats native Pāhonu come Māhukona on the Kohala coast of Hawai‘i Island, the Niho Kū pattern is made up of a collection of prints based on the jagged lava absent formations that jut indigenous the sea. Together a child, Manaola would paddle follow me this coastline, and the rough landscape was a acquainted site because that the arising artist. The receding tide screens tooth-shaped rocks, eroded with time by the power of the ocean, recall Manaola of the sharp teeth of the manō (shark).

The first print in the sample is referred to as Niho ‘Ai Kalakala, and represents the constant sharpening of a shark’s teeth during the food of its lengthy life. The 2nd print, Nihomanō, refers to the shark-infested waters of Pelekane Bay. The final print, Niho Kū, or “standing shark tooth,” is based upon a traditional style found in Hawaiian artwork. Though it may appear to it is in a basic triangular formation, its essence is tied to a deeper meaning within the spiritual geometry of traditional Hawaiian thought.


‘ĀKO‘AKO‘A

An avid canoe paddler, Manaola was influenced to create the ‘Āko‘ako‘a publish one day as he satellite in his wa‘a (canoe) and also peered into the blue waters close to his home in Kohala. Together the wa‘a gently relocated on the water, Manaola i found it the complexity and also beauty that the intricate coral formations visible listed below him. Together he continued to gaze into the sea, the limitless variation that the flourishing coral bed opened up before his eyes. The Kumulipo—an ancient Hawaiian creation chant that demonstrates a distinctive Hawaiian acknowledgement and also interpretation that evolution—tells us that coral biology were some of the faster creatures come come into existence, marking their importance in Hawai‘i’s ancestral history.

The tiny shapes of coral types also stand for the act of development itself, symbolically representing the kohe, or the birthing canal of a woman, i m sorry is the literal avenue with which new life comes into the world. The ‘Āko‘ako‘a print additionally honors Haumea, the goddess that fertility, who offers birth to new lands and brand-new life.


‘ĀKO‘AKO‘A

An avid canoe paddler, Manaola was influenced to develop the ‘Āko‘ako‘a print one day as he sat in his wa‘a (canoe) and also peered into the blue waters near his residence in Kohala. As the wa‘a gently relocated on the water, Manaola i found it the complexity and also beauty that the elaborate coral formations visible below him. Together he continued to gaze into the sea, the limitless variation that the thriving coral bed opened up up prior to his eyes. The Kumulipo—an ancient Hawaiian creation chant that demonstrates a distinct Hawaiian acknowledgement and interpretation the evolution—tells united state that coral organisms were several of the more quickly creatures to come right into existence, marking their prominence in Hawai‘i’s ancestral history.

The tiny shapes that coral types also stand for the action of development itself, symbolically representing the kohe, or the birthing canal that a woman, i m sorry is the literal avenue v which brand-new life comes right into the world. The ‘Āko‘ako‘a print additionally honors Haumea, the goddess that fertility, who gives birth to brand-new lands and new life.


PEWA

Manaola’s Pewa style is his take it on a standard wedge pattern discovered on many timeless Hawaiian textiles. The design is based on the fishtail repair found in classic Hawaiian woodworking, i m sorry was provided to prevent wood from dividing or come patch feet in broken calabashes.

For Manaola, this wedge-shaped sample is symbolic of healing and also the mending of wounds of the heart and also mind. He areas the Pewa publish in a fluid, flowing formation as a visual an allegory for the passage of time, which is necessary for growth, understanding and wisdom.

The print takes on also a deeper an interpretation for Manaola, that believes the by repair one’s cultural past, one deserve to shape an empowered future. Hawaiians, like countless other native peoples roughly the world, have sustained spiritual, physical, politics and social disruptions during the course of their history, make the symbolic healing of the pewa the paramount prestige to reconnecting v the previous to endure in the modern world.


PEWA

Manaola’s Pewa architecture is his take on a standard wedge pattern discovered on many classic Hawaiian textiles. The style is based upon the fishtail repair discovered in classic Hawaiian woodworking, i m sorry was offered to protect against wood from separating or come patch feet in damaged calabashes.

For Manaola, this wedge-shaped sample is symbolic of healing and the repair of wounds of the heart and mind. He locations the Pewa print in a fluid, flowing formation as a visual metaphor for the i of time, which is essential for growth, understanding and wisdom.

The publish takes on also a deeper definition for Manaola, who believes that by repair one’s social past, one have the right to shape one empowered future. Hawaiians, like many other native peoples roughly the world, have endured spiritual, physical, politics and cultural disruptions throughout the course of their history, make the symbolic heal of the pewa of paramount importance to reconnecting v the previous to survive in the modern-day world.


NANAKA

The Nanaka publish mimics the stormy skin the the ‘ulu (breadfruit), a staple crop of Hawai‘i and also symbol because that growth. Though the literal meaning of nanaka refers to the unique texture of its skin, MANAOLA’s interpretation additionally honors the ‘ulu as a way of nourishment.

In Hawaiian folklore, the ‘ulu tree is revered as a kinolau (earthly embodiment the a god) that Haumea, the goddess of fertility. The designer payment homage come Haumea as well as the lovely breadfruit through the Nanaka publish to encourage abundance and also growth because that those that wear this print.


NANAKA

The Nanaka publish mimics the turbulent skin the the ‘ulu (breadfruit), a staple crop of Hawai‘i and also symbol because that growth. Though the literal meaning of nanaka describes the distinct texture that its skin, MANAOLA’s interpretation likewise honors the ‘ulu as a way of nourishment.

In Hawaiian folklore, the ‘ulu tree is revered as a kinolau (earthly embodiment that a god) of Haumea, the goddess the fertility. The designer payment homage come Haumea and the beloved breadfruit v the Nanaka print to encourage abundance and also growth for those that wear this print.


ULANA

The ability of of weaving has actually been revered as among the most significant art forms in Hawaiʻi. Manaola honors the tradition of ulana (to weave) through this bold sample depicting classic lauhala (woven hala leaves) through intricate style work. The far-reaching woven pattern is symbolizes the weaving that the Hawaiian islands right into a tight knit community. Manaola intends to affix the wearer of the Ulana print to the soil in the same method that the Hawaiian neighborhood is deeply associated with it—woven right into the very foundation of the islands.


ULANA

The skill of of weaving has been revered as among the most significant art develops in Hawaiʻi. Manaola honors the tradition of ulana (to weave) v this bold pattern depicting timeless lauhala (woven hala leaves) with intricate architecture work. The far-ranging woven pattern is symbolizes the weaving the the Hawaiian islands into a chop knit community. Manaola intends to attach the wearer of the Ulana print to the floor in the same method that the Hawaiian neighborhood is deeply associated with it—woven into the very structure of the islands.


HINA

One of the many profound MANAOLA prints, the Hina engages with facets of spiritual feminine energy, and with development itself, through relationships with the eponymous ultimate feminine deity. As a singular pattern, the carving depicts the full type of a mrs standing in the timeless birthing pose found in many old ki‘i (petroglyphs). Patterns of heat emanate indigenous the figure, representing the an effective vibrations that feminine energy that affix her to creation.

To additional represent feminine power, Manaola trends the Hina publish in repetition to kind a circle. In doing so, the pattern mirrors the cycle of creation and a woman’s unique ability to produce life. Hina is likewise the goddess of the moon and, thus, the cycles of pregnant are linked to the cycles the the moon, embodied by this one print.


HINA

One that the many profound MANAOLA prints, the Hina engages with aspects of spiritual feminine energy, and also with development itself, through connections with the eponymous ultimate feminine deity. As a singular pattern, the carving depicts the full form of a woman standing in the traditional birthing pose uncovered in many old ki‘i (petroglyphs). Trends of heat emanate indigenous the figure, representing the an effective vibrations of feminine power that connect her come creation.

To further represent feminine power, Manaola patterns the Hina publish in repetition to kind a circle. In doing so, the pattern shows the bike of creation and a woman’s unique ability to produce life. Hina is likewise the goddess the the moon and, thus, the cycles of pregnant are associated to the cycles that the moon, embodied by this circular print.


KAIMANA

The Kaimana (diamond) publish transforms the an easy shape of its namesake into a an effective geometric style that records the significance of the beautiful, starry Hawaiian sky. The Kaimana publish honors the ancient Pacific arts of wayfinding, a navigation mechanism employed by native Hawaiians and also other Pacific cultures who navigated their ocean travels using the stars together a guide.


KAIMANA

The Kaimana (diamond) publish transforms the basic shape the its namesake into a powerful geometric architecture that captures the significance of the beautiful, starry Hawaiian sky. The Kaimana print honors the ancient Pacific arts of wayfinding, a navigation device employed by aboriginal Hawaiians and other Pacific cultures who navigated their ocean travels using the stars together a guide.


LĀLANI KALALEA

At sunset, spring out throughout the waters at Pebble beach on Hawai‘i Island, one can often see the ominous silhouette that a shark’s dorsal fin circling in the sea. This highlight visual to be the impetus for the Lālani Kalalea print. The linear, kalalea (prominent) sample evokes the harsh, spicy edge of the shark’s teeth, the acute angle of that fins and also the wild nature that the manō itself. Come balance these solid angles, Manaola evokes the gentle grace and elegance the the shark’s swimming pattern to develop an unexpectedly sensual and also profound style that accentuates not just the fluid motions of the shark but additionally flatters the figure of those that wear this print.


LĀLANI KALALEA

At sunset, feather out across the waters in ~ Pebble beach on Hawai‘i Island, one can often see the ominous silhouette the a shark’s dorsal fin circling in the sea. This highlight visual to be the incentive for the Lālani Kalalea print. The linear, kalalea (prominent) pattern evokes the harsh, sharp edge that the shark’s teeth, the acute angle of that fins and also the aggressive nature the the manō itself. To balance these strong angles, Manaola evokes the tenderness grace and also elegance that the shark’s swimming pattern to develop an all of sudden sensual and profound design that accentuates not just the liquid motions that the shark but additionally flatters the number of those who wear this print.


KAPA

The foundation of MANAOLA’s designs begin with the social values of nature and also Hawaiian art traditions. As a designer, Manaola Yap seeks impetus for his original carvings from repetitious patterns discovered in nature.

The Kapa publish transforms straightforward geometric shapes representing Hale Kua, the womenʻs beating home where the last stages that kapa beating and adornment were completed and hung to dry. The heat of negative space between the hale to represent water, critical element provided in processing kapa.

By place the Kapa in repetition, it forms a symmetry reflection of the hale, a winter of the indigenous art kind and its modern-day reflection in contemporary Hawaiian designs. This publish was produced as one homage come the time-honored legacy of kapa making and the plenty of kapa masters who have inspired Yapʻs career.


KAPA

The foundation of MANAOLA’s designs start with the cultural values that nature and also Hawaiian arts traditions. As a designer, Manaola Yap seeks catalyst for his initial carvings indigenous repetitious patterns found in nature.

The Kapa print transforms an easy geometric shapes representing Hale Kua, the womenʻs beating home where the final stages the kapa beating and adornment were completed and hung come dry. The heat of an adverse space between the hale represents water, an essential element supplied in processing kapa.

By placing the Kapa in repetition, it develops a symmetrical reflection that the hale, a winter of the native art type and its contemporary reflection in contemporary Hawaiian designs. This publish was created as one homage to the time-honored tradition of kapa making and also the plenty of kapa masters who have actually inspired Yapʻs career.


‘UPENA

The ‘Upena print is based on one more classic pattern found in aboriginal Hawaiian design. The arts of producing an ‘upena (net) was critical craft in Hawai‘i provided in everyday practice to catch both fish and also fowl. The traditional ‘aho (cord) to be knotted and also tied in different sizes depending upon the target catch. Manaola’s interpretation of this style was influenced by the carved, wooden anvils offered to lb watermark designs right into raw kapa. He pays one-of-a-kind attention to the pattern, i m sorry features comprehensive pūpū, or hole depressions forming circular shapes, inside each eye that the pattern.

MANAOLA’s ‘Upena publish represents the retainment of love, expertise and good karma, while additionally directing the relax of energies that perform not serve united state well. Together the purpose of the upena is to conference necessities, he hopes to inspire the wearer to practice mindfulness, to catch hold that positive power in her net and also to let the rest flow with the eyes of the ‘upena.


‘UPENA

The ‘Upena print is based on an additional classic pattern found in aboriginal Hawaiian design. The arts of producing an ‘upena (net) was critical craft in Hawai‘i used in day-to-day practice to capture both fish and fowl. The classic ‘aho (cord) to be knotted and tied in various sizes depending upon the target catch. Manaola’s interpretation of this architecture was inspired by the carved, wooden anvils offered to pound watermark designs into raw kapa. He pays distinct attention come the pattern, i beg your pardon features comprehensive pūpū, or hollow depressions developing circular shapes, within each eye that the pattern.

MANAOLA’s ‘Upena publish represents the retainment that love, understanding and good karma, while additionally directing the release of energies that execute not serve united state well. As the function of the upena is to conference necessities, he hopes to inspire the wearer to practice mindfulness, to capture hold that positive power in her net and also to permit the rest flow v the eye of the ‘upena.


MAUNA

In Hawaiian culture, Mauna a Wākea—the tallest hill on Hawai‘i Island, much more commonly referred to today together Maunakea—is revered as a sacred place. In mo‘olelo (stories), the mauna (mountain) is considered to be the child of Wākea, the skies father, and Papawalinu‘u, the planet mother. ~ above the hill summit, Wākea fee the production god Kāne v custodianship end the mauna. Kāne provided birth to four fully-formed water goddess: Poli‘ahu, the goddess that the snow, Waiau the guardian the the lake, Kahoupōkāne, the guardian of both the summit of Mauna a Wākea and also the summit the its sister, Maunaloa, and also Lilinoe, the goddess the the mists.

MANAOLA honors the four sacred goddesses the the mountain through the Mauna print, which functions four various mauna shapes. At the optimal is the form representing Poli‘ahu. Waiau’s is put at the bottom. Lilinoe’s is ~ above the left and also Kahoupōkāne’s on the appropriate side of the sample which, symbolically, is closest come Maunaloa and the older mount Hualālai.


MAUNA

In Hawaiian culture, Mauna a Wākea—the tallest mountain on Hawai‘i Island, an ext commonly referred to today together Maunakea—is revered together a sacred place. In mo‘olelo (stories), the mauna (mountain) is considered to be the son of Wākea, the sky father, and Papawalinu‘u, the planet mother. Upon the hill summit, Wākea fee the development god Kāne through custodianship over the mauna. Kāne offered birth to four fully-formed water goddess: Poli‘ahu, the goddess that the snow, Waiau the guardian of the lake, Kahoupōkāne, the guardian of both the summit that Mauna a Wākea and also the summit the its sister, Maunaloa, and also Lilinoe, the goddess of the mists.

MANAOLA honors the 4 sacred goddesses that the hill through the Mauna print, which functions four different mauna shapes. In ~ the height is the form representing Poli‘ahu. Waiau’s is put at the bottom. Lilinoe’s is on the left and Kahoupōkāne’s on the appropriate side that the pattern which, symbolically, is closest to Maunaloa and the older mountain Hualālai.


I‘IWI LEHUA

One of the many standard relationships that exist in the nahele (forest) that Hawaiʻi is the of the ʻŌhiʻa Lehua tree and the Iʻiwi bird. In Hawaiian culture, this scene is an allusion that sensuality between male and also female, as the ʻōhiʻa represents the femininity if the Iʻiwi, that sips nectar native the lehua blossom, is the male counterpart. The designer uses imaginative license to lug two oppositely inserted entities right into the very same scene as a provocative gesture challenging the symbiotic partnership of the forest.

The designer attracted inspiration for this publish from the two traditional mele maʻi, Pūnana ka Manu, and also Tū Oe, which to represent the sacred act that love make through images in nature. Hula heritages practice mele maʻi come encourage procreation amongst royal bloodlines to more the native population. MANAOLA’s Lehua graphic mirrors the happy nature of the Hawaiian people, old expressions that hoʻoulu lāhui Hawaiʻi (propagation that the Hawaiian Race) and also the see of sensuality in the contemporary world.


I‘IWI LEHUA

One of the many classic relationships that exist in the nahele (forest) the Hawaiʻi is that of the ʻŌhiʻa Lehua tree and also the Iʻiwi bird. In Hawaiian culture, this scene is one allusion the sensuality in between male and female, as the ʻōhiʻa to represent the femininity if the Iʻiwi, that sips nectar native the lehua blossom, is the male counterpart. The designer uses artistic license to bring two oppositely placed entities right into the exact same scene as a provocative gesture complicated the symbiotic relationship of the forest.

The designer drew inspiration because that this print from the two traditional mele maʻi, Pūnana ka Manu, and also Tū Oe, which represents the spiritual act the love making through photos in nature. Hula traditions practice mele maʻi to encourage procreation amongst royal bloodlines to further the native population. MANAOLA’s Lehua graphic reflects the playful nature that the Hawaiian people, ancient expressions the hoʻoulu lāhui Hawaiʻi (propagation of the Hawaiian Race) and the landscape of sensuality in the modern world.


PE‘AHI NIU

The Peʻahi Niu is a primitive print honoring the crescent-shaped fans scheduled for Hawaiian Royalty. Do of intricately woven coconut and also pandanus leaves, this fans room often depicted in lithographs through high-ranking monarchs for both practical and also ornamental use.

Denoted by the advanced twisting and also braiding that leaves and fibers together as human being hair, Peʻahi Niu denote the ideal weaving skills of Hawaiian artisans. This native artifacts are extremely revered for their imperial association and also preserved in the likes the Hawaiʻi Bishop Museum and a special arsenal in the brother Museum.

The crescent shape of these woven pan are known as an symbol in assorted Polynesian cultures and often stood for in indigenous tattooing throughout Hawaiʻi, new Zealand, Samoa and throughout the south Pacific. Within this cultures, tattoos inked the genealogy and also life experiences of the separation, personal, instance upon the skin, thus the Peʻahi Niu was utilized as a mark of distinction for high ranking Chiefs come wear this price of pride.


PE‘AHI NIU

The Peʻahi Niu is a primitive print honoring the crescent-shaped fans reserved for Hawaiian Royalty. Do of intricately woven coconut and pandanus leaves, these fans are often portrayed in lithographs by high-ranking queens for both practical and ornamental use.

Denoted through the sophisticated twisting and braiding the leaves and fibers such as human being hair, Peʻahi Niu showcased the ideal weaving skills of Hawaiian artisans. This native artifacts are very revered because that their royal association and preserved in the likes that Hawaiʻi Bishop Museum as well as a special collection in the british Museum.

The crescent shape of these woven fans are well-known as an icon in assorted Polynesian cultures and often represented in native tattooing transparent Hawaiʻi, new Zealand, Samoa and also throughout the southern Pacific. Within these cultures, tattoos inked the genealogy and also life experiences of the separation, personal, instance upon the skin, for this reason the Peʻahi Niu was utilized as a mark of difference for high ranking Chiefs to wear this prize of pride.


"IWA

In Hawaiian mythology, twin-tailed "Iwa birds are identified for their connection to Kaiona, a merciful Goddess who stays in Ka"ala and Waiʻanae mountain ranges. When travelers were shed in the thick forests of this mauna (mountains), castle would call upon Kaiona for guidance. Recognized for her kind-hearted and benevolent nature, Kaiona would certainly send high-soaring "Iwa bird to navigate their path to safety. Princess Bernice Pauahi Bishop is claimed to have exhibited similar virtues that compassion and also was regularly referenced together ka wāhine hele lā "o Kaiona, the lady that walks in the sunshine that Kaiona.

During an afternoon that reflection, the designer found himself in ~ the namesake that the Goddess, Kaiona coast Park, welcomed by the sight of a rainbow and flight that Iwa bird circling above. The believes the these hōʻailona (signs) were sent by Kaiona to overview his journey and inspired that to develop the "Iwa print.


"IWA

In Hawaiian mythology, twin-tailed "Iwa bird are acknowledged for their link to Kaiona, a merciful Goddess who resides in Ka"ala and also Waiʻanae mountain ranges. As soon as travelers were shed in the thick forests of these mauna (mountains), lock would contact upon Kaiona for guidance. Recognized for her kind-hearted and also benevolent nature, Kaiona would certainly send high-soaring "Iwa birds to navigate their course to safety. Princess Bernice Pauahi Bishop is said to have actually exhibited similar virtues that compassion and was often referenced as ka wāhine hele lā "o Kaiona, the lady that walks in the sunshine of Kaiona.

During an afternoon that reflection, the designer found himself in ~ the namesake of the Goddess, Kaiona coast Park, invited by the sight of a rainbow and flight the Iwa bird circling above. The believes that these hōʻailona (signs) were sent by Kaiona to overview his journey and also inspired him to create the "Iwa print.


HO‘ONI‘ONI‘O

MANAOLA honors kapa legacy with the Hoʻoniʻoniʻo print, produced as one homage come the guild of women well-known as wāhine hoʻoniʻoniʻo and also the goddess Laʻahana. The wāhine to be talented graphic artists who worked in the hale kua (the womens beating residence where kapa to be produced) and were in fee of the last stages that kapa decoration.

Hoʻoniʻoniʻo means “to clues or streak,” a straightforward geometric layout used in old prints and also often checked out in archaic kapa fragments. The 3 center lines that this pattern were created using a lapa tool, or a kapa liner regularly made of kauila wood, ‘ohe (bamboo) or tortoise shell sewn top top laths. This modern offering is MANAOLA’s translate of reimagined Hawaiian stripes.

The simplicity the Hoʻoniʻoniʻo showcases the designer’s affinity for old artistry and the structure of kapa design. Through this print, MANAOLA celebrates the females of this tradition as well as the goddess who guided and also inspired your creativity, Laʻahana (laʻa definition sacred, hana definition work), the patron divine being of the spiritual arts.


HO‘ONI‘ONI‘O

MANAOLA honors kapa legacy with the Hoʻoniʻoniʻo print, created as one homage to the guild the women recognized as wāhine hoʻoniʻoniʻo and also the goddess Laʻahana. The wāhine to be talented graphic artist who worked in the hale kua (the womens beating home where kapa to be produced) and also were in charge of the last stages of kapa decoration.

Hoʻoniʻoniʻo means “to clues or streak,” a an easy geometric style used in old prints and often seen in antiquated kapa fragments. The 3 center lines the this sample were produced using a lapa tool, or a kapa liner frequently made the kauila wood, ‘ohe (bamboo) or tortoise shell sewn top top laths. This contemporary offering is MANAOLA’s translate of reimagined Hawaiian stripes.

The simplicity the Hoʻoniʻoniʻo showcases the designer’s affinity for ancient artistry and also the foundation of kapa design. Through this print, MANAOLA celebrate the women of this tradition as well as the goddess that guided and inspired your creativity, Laʻahana (laʻa meaning sacred, hana meaning work), the patron deity of the sacred arts.


NĪ‘AU

As its name denotes, the Nī’au sample mimics the literal meaning mid rib frond the the coconut leaf. Indigenous this sturdy spine or stem, small leaflets type clean geometric lines represented in this publish as one homage come the extensive niu or coconut tree. Hawaiians, like numerous Polynesian cultures, hold the coconut tree in high regard for its sustainability and multi-purpose usage, making use of all components of the tree i m sorry yield materials for medicine, fuel, food and also shelter.

Hawaiian mythology also refers come niu together a kinolau or earthly manifestation the the god Kū, who represents fishing, farming and also war. This staple canoe tree is key for survival, and wai niu (coconut water) is taken into consideration sacred, supplied in ceremony and also special occasions because it exists in the elevation of the gods. Wai niu is additionally the only water that have the right to be available to the gods together it is the only water the is no touched by person hands.


NĪ‘AU

As its surname denotes, the Nī’au pattern mimics the literal meaning mid rib frond the the coconut leaf. Native this sturdy spine or stem, small leaflets type clean geometric lines represented in this print as an homage to the extensive niu or coconut tree. Hawaiians, like numerous Polynesian cultures, hold the coconut tree in high regard for its sustainability and multi-purpose usage, utilizing all parts of the tree i m sorry yield materials for medicine, fuel, food and also shelter.

Hawaiian mythology also refers to niu together a kinolau or earthly manifestation of the god Kū, who represents fishing, farming and war. This staple canoe plant is key for survival, and also wai niu (coconut water) is thought about sacred, used in ceremony and also special occasions because it exist in the elevation of the gods. Wai niu is additionally the only water that can be available to the gods as it is the just water the is not touched by human hands.


PŌ‘AI

Manaola gift the Pōʻai design honoring the power of magnificent creation. This portal the time and space represents the 3 piko - the fontanal, naval, and reproductive centers of the body. These sacred areas of energy affix us to the past where us receive understanding from ours ancestors, ground united state to the present where we focus our presence and also intention, and guide us into the future where the generations will enter into this earthly realm. The circular symbolism the the pattern mirrors the ʻami, the revolution of the hips in hula (dance). This activity is a depiction of creation in and also of itself. The dancer is a complete embodiment the the poetry and also story that is gift told and also the chants and also songs that bring the dance come to be an accessibility point to the time and also place that they were composed. The is that really ceremony of the hula that guides Manaola in his expression and creation of modern-day day ʻaʻahu (attire) and also what influenced this particular design. Uncovered within the circular sample is the hoʻoniʻoniʻo print which is a geometric layout used in ancient stamping frequently seen in archaic kapa fragments that is made v ’Ohe Kāpala bamboo stamps and also lapa kapa liner tools. The usage of the hoʻoniʻoniʻo right here is an ode to the ancient artistry of this lands and the structure of kapa making and also printing. The is with this remembrance of the genealogical ways of creative expression that we existing Pōʻai come this time v the intention to “hoʻi i ka piko” to return and align come our individual and also collective source, center, and also divinity.

E ala ē nā piko.


PŌ‘AI

Manaola presents the Pōʻai style honoring the strength of magnificent creation. This portal the time and an are represents the three piko - the fontanal, naval, and also reproductive centers the the body. These sacred places of energy affix us come the previous where us receive understanding from our ancestors, ground us to the existing where we focus our presence and intention, and also guide us into the future where the generations will go into into this earthly realm. The circular symbolism the the pattern mirrors the ʻami, the transformation of the hips in hula (dance). This movement is a representation of creation in and of itself. The dancer is a full embodiment of the poetry and story the is being told and the chants and songs that lug the dance become an access point come the time and also place the they were composed. It is that really ceremony that the hula the guides Manaola in his expression and also creation of modern day ʻaʻahu (attire) and what inspired this specific design. Uncovered within the circular sample is the hoʻoniʻoniʻo publish which is a geometric format used in old stamping often seen in antiquated kapa pieces that is made with ’Ohe Kāpala bamboo stamps and lapa kapa liner tools. The usage of the hoʻoniʻoniʻo below is an ode to the ancient artistry of this lands and the structure of kapa making and also printing. That is v this remembrance of the ancestral ways of artistic expression the we present Pōʻai to this time with the intention to “hoʻi ns ka piko” to return and align come our individual and collective source, center, and also divinity.

E ala ē nā piko.


NIHO MANŌ

In his Niho Manō print, designer Manaola returns to the sacred geometry of repetitious pattern found in nature the connects world to art, no issue the culture. Niho Manō literally translated method shark’s teeth. Manaola gift the architecture in geometric rows the teeth moving in ocean wave patterns across the textile.

In Hawaiian culture, the shark, a fierce species that includes the Lālākea (Great White shark) and Niuhi (Man-eating shark) inhabiting our life ocean, is revered together an `Aumakua, an genealogical guardian spirit. When the manō (shark) bites down or clenches that is jaw - us witness its strength, determination and also laser focus.

Rows that niho (teeth) are provided in Hawaiian weapon clubs and in `ihe laumeki barbed spears. Old warrior ancestors wielded these weapons and, then together now, they quiet protect and also guide us today. The Niho Manō publish represents and imparts strength, protection and being steadfast in purpose and also intention.


NIHO MANŌ

In his Niho Manō print, designer Manaola return to the sacred geometry that repetitious pattern uncovered in nature the connects human being to art, no matter the culture. Niho Manō accurate translated means shark’s teeth. Manaola gift the architecture in geometric rows of teeth relocating in s wave patterns throughout the textile.

In Hawaiian culture, the shark, a fierce species that contains the Lālākea (Great White shark) and Niuhi (Man-eating shark) inhabiting our life ocean, is revered together an `Aumakua, an genealogical guardian spirit. When the manō (shark) bites down or clenches that is jaw - we witness the strength, determination and also laser focus.

Rows of niho (teeth) are offered in Hawaiian weapon clubs and in `ihe laumeki barbed spears. Old warrior ancestors wielded these tools and, then together now, they quiet protect and also guide united state today. The Niho Manō print represents and imparts strength, protection and also being steadfast in purpose and also intention.


HULU NĒNĒ

In this special collection of designs, Manaola honors and pays homage come the an excellent warrior chief, Kamehameha, Pai`ea. Born top top Hawai`i Island in secrecy and also taken to safety and security by a swift runner to the high cliffs that `Awini Kohala, the child king was surprise in the caves come escape the bespeak of Alapa`i Nui the the infant be placed to death. The Designer profit his impetus from ancestral chants, and stories speak of the youthful years of the imperial child.

In Hulu Nēnē (Hawaiian Goose Feathers), Manaola embraces the timeless sayings that our ancient ones - “`O nā kānaka Hawai`i, that po`e make`e haku, that po`e nēnē `ili kapu,” the Hawaiian civilization are people who cherish your lords, world constantly thinking of the sacred skin .“ (Mary K. Puku`i). Thus, the feather of this noble bird represent the spiritual covering that royalty. Such poetry is found in the oli hymn “Mehe hulu Nēnē la ka haki manawa o ka pali e kū nei” an interpretation “Like a goose feather, the boy was plucked from the arms of his mother and also taken to the sheer cliffs.” Manaola uses the imagery of repetitious patterns found in the Nēnē goose feathers to depict the separation of kids who are being weaned indigenous parents. That is a print of independence and courage because that our youth. In the evolution of life, a child should walk ~ above his or her own to learn and also to have actually the strength and will to adopt his or she greatness.

For the Designer, the Hulu Nēnē also represents what a mommy will perform to safeguard her child. A mother’s love and their vigilance in protecting your babies from injury is component of a mother’s innate nature. This protective instinct is portrayed through the imagery of the humble Nēnē bird. The Hulu Nēnē pattern is symbolic of defense in its most intense quality. At times, we are referred to as upon to sacrifice for a higher an excellent or objective to attain the potential which has actually been bestowed ~ above us.


HULU NĒNĒ

In this special collection of designs, Manaola honors and also pays homage come the an excellent warrior chief, Kamehameha, Pai`ea. Born ~ above Hawai`i Island in secrecy and taken to safety and security by a swift runner to the high cliffs the `Awini Kohala, the infant king was concealed in the caves come escape the bespeak of Alapa`i Nui the the infant be put to death. The Designer profit his impetus from genealogical chants, and also stories speaking of the youthful years of the imperial child.

In Hulu Nēnē (Hawaiian Goose Feathers), Manaola embraces the traditional sayings that our ancient ones - “`O nā kānaka Hawai`i, the po`e make`e haku, he po`e nēnē `ili kapu,” the Hawaiian people are world who cherish your lords, people constantly reasoning of the sacred skin .“ (Mary K. Puku`i). Thus, the feather of this noble bird stand for the sacred covering the royalty. Such poetry is discovered in the oli chant “Mehe hulu Nēnē la ka haki manawa o ka pali e kū nei” definition “Like a goose feather, the boy was plucked from the arms of his mother and also taken come the sheer cliffs.” Manaola supplies the imagery the repetitious patterns found in the Nēnē goose feather to depict the separation of kids who are being weaned from parents. It is a publish of independence and courage for our youth. In the development of life, a child must walk ~ above his or her own to learn and to have the strength and also will to take on his or she greatness.

For the Designer, the Hulu Nēnē additionally represents what a mommy will carry out to defend her child. A mom love and also their vigilance in protecting their babies from harm is component of a mother’s natural nature. This protective instinct is depicted through the imagery that the humble Nēnē bird. The Hulu Nēnē pattern is symbolic of defense in its most intense quality. In ~ times, we are called upon come sacrifice because that a higher great or objective to attain the potential which has been bestowed upon us.


KAMEHAMEHA

He Kapa no Kamehameha Pai"ea(First that 2 in honor of Ke Ali"i)

In a trio of sculpted motifs, this namesake pattern pays homage to the great warrior cook of Hawai`i, Kamehameha Pai`ea. Born in secrecy and raised in Kohala, Hawai`i, he ended up being one that the many revered kings of ancient times uniting every eight islands under one rule.

Designer Manaola, a Kohala descendent, was influenced by two imperial birth chants that spoke the his greatness. Manaola recounts the story the Kamehameha’s mother Keku`iapōiwa having strange cravings while v child. The King in ~ the time, Alapa`inui, obtained word the she had been yearn the eye of the Niuhi, the Tiger Shark. This weird phenomenon urged the king priest to imply he destroy the child upon birth the very least he grow to end up being the slayer that kings.

With this news, Kamehameha’s mother devised a setup to have Nae`ole, a swift runner, take the boy high right into the thin cliffs of `Āwini, Kohala. The mummy cousin, Kaha`ōpulani, who was additionally expecting a child, would end up being his guardian and wet nurse. V the help of cautious planning and also the protection of the human being of Kohala, the young chief would certainly defy death and would be elevated in secrecy.

As the child prospered into maturity, his uncle King Alapa`i Nui heard that the heroic efforts of Keku`iapoiwa and the mystery raising that this exceptional young royal. The singing “Aia O `Āwini Pali Ali`i Hula`ana” tells of this and is the motivation for Manaola’s publish design. The news softened King Alapa`i Nui’s heart and also the Ali`i invited the young prince come court.

Three extensive patterns decorate this regal design. Solid poetry parallels Kamehameha’s stature. The majestic heights of the thin sea cliffs, only accessible by birds, protected and hid the young royal.

The Designer has recorded the cliff-side watch of Pololu sink in his narrow and pointed triangular shaped pattern. The dramatic cliff see is native `Awini at the frontal peak ago towards Keahialaka whereby the valley ridges meet. The second design represents the steep descent Kamehameha Pai`ea traversed together he ascended come his complete potential together a prolific, powerful and visionary monarch.

The last of the 3 graphics indicate the Niho Manō or Shark toothed pattern mirroring the fierce stamin of the warrior King. The barbed choose motif mimics the razor spicy edge the the `ihe laumeki barbed spear, and Leiomanō, the shark this studded club.

Kamehameha was a ferocious master of the arts of spear capturing making the invincible and aiding him in dominating his adversaries in epic battles. The was figured out to accomplish his vision that a unified nation and his ability in war and also battle tactics made it possible. Well-known as the an excellent Alexander that the Pacific, the was stated that no man in the islands could complement Kamehameha’s strength.

The motivation for this pattern springs indigenous the determination of Kamehameha Pai`ea to achieve his destiny for the betterment of his people. The world of Kohala additionally chose a destiny to be the protectors of the imperial child enabling him to prosper under their watchful eye. Manaola, inspired by the ship of the Ali`i, payment homage to the Warrior King through powerful motifs. The Artist hopes his style will connect us to the spirit within each of us, in symmetry through Kamehameha Pai`ea and also the world of Kohala, to end up being the best of whom we wish to be.


KAMEHAMEHA

He Kapa no Kamehameha Pai"ea(First that 2 in respect of Ke Ali"i)

In a trio of carved motifs, this namesake pattern payment homage come the good warrior chef of Hawai`i, Kamehameha Pai`ea. Born in secrecy and also raised in Kohala, Hawai`i, he became one that the most revered kings of ancient times uniting every eight islands under one rule.

Designer Manaola, a Kohala descendent, was inspired by two royal birth chants the spoke the his greatness. Manaola recounts the story the Kamehameha’s mother Keku`iapōiwa having strange cravings while with child. The King at the time, Alapa`inui, received word that she had been yearn the eyes of the Niuhi, the Tiger Shark. This strange phenomenon urged the king’s priest to imply he destroy the kid upon birth the very least he prosper to end up being the slayer the kings.

With this news, Kamehameha’s mother devised a arrangement to have actually Nae`ole, a swift runner, take the son high into the slim cliffs that `Āwini, Kohala. The mom cousin, Kaha`ōpulani, who was additionally expecting a child, would come to be his guardian and also wet nurse. V the assist of cautious planning and the security of the human being of Kohala, the young chief would certainly defy death and would be raised in secrecy.

As the child grew into maturity, his uncle King Alapa`i Nui heard that the heroic initiatives of Keku`iapoiwa and the secret raising the this superior young royal. The hymn “Aia O `Āwini Pali Ali`i Hula`ana” speak of this and is the incentive for Manaola’s publish design. The news softened King Alapa`i Nui’s heart and the Ali`i welcomed the young prince to court.

Three profound patterns decorate this regal design. Strong poetry parallels Kamehameha’s stature. The majestic heights of the slim sea cliffs, only accessible by birds, protected and hid the young royal.

The Designer has caught the cliff-side view of Pololu valley in his narrow and pointed triangular shame pattern. The dramatic cliff watch is from `Awini in ~ the frontal peak earlier towards Keahialaka where the sink ridges meet. The second design to represent the steep descent Kamehameha Pai`ea traversed as he ascended to his complete potential together a prolific, powerful and visionary monarch.

The critical of the three graphics indicate the Niho Manō or Shark toothed pattern reflecting the fierce strength of the warrior King. The barbed favor motif mimics the razor sharp edge the the `ihe laumeki barbed spear, and Leiomanō, the shark this studded club.

Kamehameha to be a ferocious understand of the arts of spear recording making the invincible and also aiding that in conquering his adversaries in epic battles. The was identified to achieve his vision of a unified country and his ability in war and battle tactics made the possible. Known as the an excellent Alexander the the Pacific, that was claimed that no guy in the islands could complement Kamehameha’s strength.

The catalyst for this sample springs indigenous the decision of Kamehameha Pai`ea to attain his destiny for the betterment of his people. The civilization of Kohala likewise chose a destiny to it is in the protectors that the imperial child allowing him to thrive under their watchful eye. Manaola, inspired by the ship of the Ali`i, payment homage come the Warrior King through an effective motifs. The Artist really hopes his style will attach us come the spirit within each of us, in symmetry through Kamehameha Pai`ea and the world of Kohala, to become the best of whom us wish come be.


HE MELE NO KĀNE(The Water of Kāne)

“He ui that ninau, e ui aku ana au iā `oe Aia ns hea ka wai a Kāne?”(This concern I ask to you. Where dwells the waters that Kāne?)

Designer Manaola gift the Kāne design in honor of the god that water. Kāne is revered together the male deity of procreation and manifests in many an effective earthly forms with numerous names - from the life providing fresh waters that circulation from the uplands - Kāne i ka wai ola, come the radiant irradiate of the sunlight - Kānehoalani, to the excellent flash that lighting, and also resounding rumble that thunder - Kānehekili. That is the guardian and also father that the eye goddess, Poli`ahu, who embodies the many sacred waters the the majestic mountain peaks that Mauna a Wākea.

Kāne and also Kanaloa (god the the ocean) are regularly mentioned in chant and stories together companions in the ceremonial transformation of water cycles joining at the confluence of element synergy. They occupational together come open and also release punawai (springs of fresh water) throughout the islands of Hawai`i. Choose the cleansing power of the s waters of Kanaloa, ka wai kapu a Kāne, the blessing waters that Kāne are additionally used in the ceremonial exercise of pī kai (to to wash a location or human with sea water or salted new water). The spiraling kāpala print networks the graceful and an effective movements of wai (water) in its numerous expressions the continuity and reflects these spiritual relationships in between the gods and also goddesses. The geometric lines of every individual rubber stamp are open up on both end representing the consistent and eternal pulse that creation. The circular style embodies Kāne in both his liquid and solid water forms, honoring the spheres of life he exists in. Manaola expresses a deep reverence because that the cleansing and also healing strength of Kāne through this pattern.

“He waipuna, that wai e inu, the wai e mana, he wai e ola, E ola nō ea.”(Here is to the life providing waters that feed and sustain us.)


HE MELE NO KĀNE(The Water the Kāne)

“He ui the ninau, e ui aku ana au iā `oe Aia i hea ka wai a Kāne?”(This question I ask to you. Whereby dwells the waters of Kāne?)

Designer Manaola presents the Kāne architecture in honor of the god that water. Kāne is revered as the male divine being of procreation and also manifests in many powerful earthly develops with numerous names - from the life providing fresh waters that flow from the uplands - Kāne i ka wai ola, to the radiant irradiate of the sun - Kānehoalani, come the excellent flash the lighting, and resounding rumble of thunder - Kānehekili. That is the guardian and also father of the eye goddess, Poli`ahu, that embodies the most sacred waters of the majestic mountain peaks of Mauna a Wākea.

Kāne and Kanaloa (god the the ocean) are often mentioned in chant and stories as companions in the ceremonial change of water cycles joining in ~ the confluence of elemental synergy. They work-related together come open and also release punawai (springs of fresh water) transparent the islands of Hawai`i. Prefer the cleansing power of the ocean waters the Kanaloa, ka wai kapu a Kāne, the blessing waters of Kāne are also used in the ceremonial practice of pī kai (to wash a ar or human being with sea water or salted fresh water). The spiraling kāpala print channels the graceful and powerful movements of wai (water) in its countless expressions the continuity and reflects these spiritual relationships between the gods and goddesses. The geometric present of every individual rubber stamp are open up on both ends representing the consistent and eternal pulse of creation. The circular design embodies Kāne in both his liquid and solid water forms, honoring the spheres that life he exist in. Manaola expresses a deep reverence for the cleansing and also healing strength of Kāne with this pattern.

“He waipuna, he wai e inu, he wai e mana, the wai e ola, E ola nō ea.”(Here is to the life providing waters the feed and also sustain us.)


KE KAI O KANALOA(The Sea the Kanaloa)

Designer Manaola presents the Kanaloa style honoring the god the the ocean. The artist patrilineal lower is linked to the esteemed ancestor Naukana, likewise known together Naukanaloa, definition belonging to the s - who guided the to develop a tribute come our inherent sacred ancestral connection to the sea realm. The imagery that way-finding navigational knowledge passed down v the currents of time, ebb and also flow transparent the resplendent layers the this pattern, catching an optical illusion the shifts native a level to three-dimensional form. This imagery depicts the see of the sun climbing over the mountains seen from out on the s to one elongated diamond representing the wa`a (voyaging vessel). The lines of color dimension traveling throughout the design transition from dark to light, symbolizing the cleansing mana (power) that Kanaloa. Manaola developed these strong defined lines by usage of the lapa tool made the `ohe (bamboo) and also the wire dipping technique achieved by holding the string taut and also dipping it right into dye to then print on material. This part of the architecture exemplifies seafaring rope and cord, poetically showing the long lines the ancestors that connect us ago to the source of all creation and ties in Polynesian motifs representing our oceanic migration stories.

The horizontal droplet pattern symbolizing an i`a (fish), tells the story of Kanaloa, Kāne (god of water), and Haumea (goddess that creation) and also their epic voyage from Kahiki across the Moananuiākea (vast ocean). On your journey they taken place upon two fishermen who gift ho`okupu (offering) of white fish and also `awa hiwa (dark kava root). These offerings were very first received by Haumea in reverence and respect of her magnificent power together a portal that life. This boundless feminine existence brings a duality come the power of this design. The stories and also deep class of an interpretation within the seascape of this ode to Kanaloa motivates us to return to the ocean for strength, to take a trip of our very own to the quiet locations within ourselves the teach united state the healing art of release and also renewal, and to proceed to navigate our means through this people by understanding deeply where we come from to have actually a clear sense of wherein we space going.

“Ola i ke au a Kanaloa.”(Life come the ocean realms the Kanaloa.)


KE KAI O KANALOA(The Sea the Kanaloa)

Designer Manaola presents the Kanaloa design honoring the god the the ocean. The artists patrilineal lower is attached to the esteemed ancestor Naukana, additionally known as Naukanaloa, meaning belonging to the ocean - who guided him to create a tribute come our inherent sacred genealogical connection to the sea realm. The imagery the way-finding navigational expertise passed down with the currents of time, ebb and also flow transparent the reconstruction layers of this pattern, capturing an optical illusion that shifts native a level to three-dimensional form. This imagery depicts the see of the sun increasing over the hills seen from the end on the s to an elongated diamond representing the wa`a (voyaging vessel). The currently of color dimension traveling throughout the design change from dark to light, symbolizing the cleansing mana (power) the Kanaloa. Manaola created these solid defined present by usage of the lapa tool made the `ohe (bamboo) and the cable dipping technique achieved by stop the wire taut and dipping it right into dye to then publish on material. This part of the design exemplifies seafaring rope and also cord, poetically reflecting the long lines of ancestors that attach us back to the source of every creation and ties in Polynesian motifs representing ours oceanic hike stories.

The horizontal droplet pattern symbolizing an i`a (fish), tells the story of Kanaloa, Kāne (god that water), and also Haumea (goddess that creation) and their epic voyage from Kahiki throughout the Moananuiākea (vast ocean). On your journey they taken place upon two anglers who presented ho`okupu (offering) of white fish and `awa hiwa (dark kava root). This offerings were very first received through Haumea in reverence and also respect of her magnificent power as a portal that life. This infinite feminine presence brings a duality to the power of this design. The stories and deep great of an interpretation within the seascape that this ode to Kanaloa motivates us to return to the ocean for strength, to take a journey of our very own to the quiet areas within ourselves the teach united state the healing art of release and also renewal, and to proceed to navigate our means through this civilization by discovering deeply where we come from to have actually a clear feeling of whereby we room going.

“Ola ns ke au a Kanaloa.”(Life to the ocean realms of Kanaloa.)


Kialoa

Manaola gift the Kialoa sample in honor of the long lineage of voyaging the Kanaka Maoli people of Hawai`i descend from. The Kialoa is a long, light, and swift wa`a (canoe) that also has a figurative definition for a tall fine proportioned woman, both in which space reflected in the elongated diamond form in this sample design. There room two prints within the wa`a, the `Upena and Kalae. The `Upena publish unfolds right into the kākā fishing net that is knotted in a square fashion to capture smaller fish. This net in addition to the wa`a room symbolic for making a swift, focused, and also intentional trip to gather simply what friend need.

The Kalae publish represents the mooring holes uncovered along the coastal cliffs of Ka`u that were provided to anchor the wa`a to the land. The layered meaning is a profound reminder to be your very own anchor in her journey. To trust deeply in that you are and also remain pa‘a (steadfast) in that fact so that your go in this civilization continues to be navigated by your inner compass. This will guide you to where you are meant to go.


KIALOA

Manaola gift the Kialoa sample in respect of the long family tree of voyaging the Kanaka Maoli civilization of Hawai`i descend from. The Kialoa is a long, light, and also swift wa`a (canoe) that additionally has a figurative definition for a tall fine proportioned woman, both in which space reflected in the elongated diamond form in this sample design. There are two prints in ~ the wa`a, the `Upena and Kalae. The `Upena publish unfolds into the kākā fishing net the is knotted in a square fashion to capture smaller fish. This net along with the wa`a room symbolic because that making a swift, focused, and intentional trip to gather just what you need.

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The Kalae print represents the mooring holes found along the seaside cliffs the Ka`u that were offered to anchor the wa`a to the land. The layered an interpretation is a extensive reminder to be your very own anchor in her journey. To to trust deeply in who you are and also remain pa‘a (steadfast) in that truth so that your walk in this civilization continues to it is in navigated by your inner compass. This will overview you to whereby you are meant come go.